The only real progress lies in learning to be wrong all alone. ~~Albert Camus

Feb 16, 2010

After the Storm


Snow sealing off the high passes and the wind howling.
Snow plastering pine, fir, and spruce.

Capping the river rocks.
Stubborn boulders scattered in the icy, black flow—
anchored by their own hard gravity.

*

This morning the valley's grey and white.

I'm reading Libbrecht's Field Guide to Snowflakes.

Studying the beauty of ice.

Mastering its terms: bullet, needle, capped column, rime, star—
and the importance of dust
in turning water to crystal.

Outside, the banshee of driven snow wail past—
wraiths tall and twisted.

*

None of this will help you
posthole your way out of a frozen wilderness
of deep snow—

Long's Peak west,
the Mummies to the north, curtained—

All landmarks,
little codes and semaphores of animals and birds blotted out.

It won't even help you shovel your walk.

I think of summer in the Never Summer Range.

*

Never mind that
when I'm here alone,
silence is the language I speak most often.
I have its grammar down by heart.

It glides easily on its own melting.

*

Now, another day.

The morning fire in the grate flaps its tongues,
gossiping,
and the wind palavers in a loose window sash.

And miles away the high white peaks fume and gleam in the sun.

***

Feb 4, 2010

By the Rivers of Babylon We Sat Down and Wept, Byron


1
We sat down and wept by the waters
Of Babel, and thought of the day
When our foe, in the hue of his slaughters,
Made Salem's high places his prey;
And ye, oh her desolate daughters!
Were scattered all weeping away.
2
While sadly we gazed on the river
Which rolled on in freedom below,
They demanded the song; but, oh never
That triumph the stranger shall know!
May this right hand be withered for ever,
Ere it string our high harp for the foe!
3
On the willow that harp is suspended,
Oh Salem! its sound should be free;
And the hour when thy glories were
ended
But left me that token of thee:
And ne'er shall its soft tones be blended
With the voice of the spoiler by me!




--

Feb 1, 2010

The Weary Blues by Langston Hughes (1902-1967) - BIRTHDAY TODAY

Droning a drowsy syncopated tune,

Rocking back and forth to a mellow croon,

I heard a Negro play.

Down on Lenox Avenue the other night

By the pale dull pallor of an old gas light

He did a lazy sway ....

He did a lazy sway ....

To the tune o' those Weary Blues.

With his ebony hands on each ivory key

He made that poor piano moan with melody.

O Blues!

Swaying to and fro on his rickety stool

He played that sad raggy tune like a musical fool.

Sweet Blues!

Coming from a black man's soul.

O Blues!

In a deep song voice with a melancholy tone

I heard that Negro sing, that old piano moan--

"Ain't got nobody in all this world,

Ain't got nobody but ma self.

I's gwine to quit ma frownin'

And put ma troubles on the shelf."

Thump, thump, thump, went his foot on the floor.

He played a few chords then he sang some more—

"I got the Weary Blues

And I can't be satisfied.

Got the Weary Blues

And can't be satisfied--

I ain't happy no mo'

And I wish that I had died."

And far into the night he crooned that tune.

The stars went out and so did the moon.

The singer stopped playing and went to bed

While the Weary Blues echoed through his head.

He slept like a rock or a man that's dead.



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