The only real progress lies in learning to be wrong all alone. ~~Albert Camus

Jan 31, 2011

"Nocture Navigator," Alison Saar (American, born 1956)


Commissioned by the Columbus Museum of Art, Nocturne Navigator commemorates the Underground Railroad, on which Columbus, Ohio, was one of the stops. The sculpture portrays the spirit of the journey by the slaves on their way north to freedom. Her skirt represents the constellations of stars in the sky—including the Big Dipper, or Drinking Gourd—that guided the slaves. The upheld arms are expressive of the thankful celebrations of both those who reached freedom and those whose open arms welcomed them along the way. The monumental size of the figure is meant to symbolize the vastness of the heavens, the enormity of the oppression of slavery, the courage required of the fugitives, and the generosity of those who aided them.

Rita Dove, Poet Laureate, 1993-1995

Dusting

Every day a wilderness—no   
shade in sight. Beulah
patient among knicknacks,   
the solarium a rage
of light, a grainstorm
as her gray cloth brings
dark wood to life.

Under her hand scrolls
and crests gleam
darker still. What
was his name, that
silly boy at the fair with
the rifle booth? And his kiss and   
the clear bowl with one bright   
fish, rippling
wound!

Not Michael—
something finer. Each dust   
stroke a deep breath and   
the canary in bloom.
Wavery memory: home   
from a dance, the front door   
blown open and the parlor   
in snow, she rushed
the bowl to the stove, watched   
as the locket of ice
dissolved and he
swam free.

That was years before
Father gave her up
with her name, years before   
her name grew to mean   
Promise, then   
Desert-in-Peace.
Long before the shadow and   
sun’s accomplice, the tree.

Maurice.

Jan 29, 2011

This was instigated by American evangelical missionary influence on Ugandan government and church

ANGRY scenes erupted at the funeral of a murdered Ugandan gay activist when the presiding pastor called on homosexuals to repent or "be punished by God".

Towards the end of an emotional ceremony to mourn David Kato, who was bludgeoned to death last week, the Anglican pastor Thomas Musoke launched into a homophobic tirade, shocking the gay men and women and foreign diplomats in attendance.

"The world has gone crazy," Mr Musoke said. "People are turning away from the scriptures. They should turn back, they should abandon what they are doing. You cannot start admiring a fellow man."
Witnesses said Mr Kato's former colleagues at Sexual Minorities Uganda, where he was an advocacy officer, shouted the priest down.

"We have not come to fight," one woman screamed. "You are not the judge of us. As long as he's gone to God his creator, who are we to judge Kato?"

The microphone was grabbed from Mr Musoke, and a scuffle ensued. Police were forced to intervene, escorting the pastor away.

The incident highlighted the deep, religiously stoked homophobia that exists in Uganda, and which Mr Kato's friends believe may have caused his death. His murder came just three weeks after he won a court victory against a newspaper that had called for him to be hanged.

The funeral was held near Mr Kato's ancestral home of Namataba, outside the capital, Kampala, and drew about 300 people, including family, friends and local people. A busload of gay activists from Kampala wore T-shirts featuring the dead man's face, rainbows or the slogan "The struggle continues".

A statement from US President Barack Obama praising Mr Kato as a "powerful advocate for fairness and freedom" was read out.

As the murder investigation continues, the government insists it was unconnected to his work or sexuality.

The Sydney Morning Herald
Sunday, January 30, 2011

Jan 27, 2011

Mona Van Duyn, Poet Laureate, 1992-1993



The quake last night was nothing personal,
you told me this morning. I think one always wonders,
unless, of course, something is visible: tremors
that take us, private and willy-nilly, are usual.

But the earth said last night that what I feel,
you feel; what secretly moves you, moves me.
One small, sensuous catastrophe
makes inklings letters, spelled in a worldly tremble.

The earth, with others on it, turns in its course
as we turn toward each other, less than ourselves, gross,
mindless, more than we were. Pebbles, we swell
to planets, nearing the universal roll,
in our conceit even comprehending the sun,
whose bright ordeal leaves cool men woebegone.

Jan 26, 2011

I threw my arms about those shoulders...

Joseph Brodsky, Poet Laureate 1991-1992


I Threw My Arms About Those Shoulders
 
I threw my arms about those shoulders, glancing
at what emerged behind that back,
and saw a chair pushed slightly forward,
merging now with the lighted wall.
The lamp glared too bright to show
the shabby furniture to some advantage,
and that is why sofa of brown leather
shone a sort of yellow in a corner.
The table looked bare, the parquet glossy,
the stove quite dark, and in a dusty frame
a landscape did not stir. Only the sideboard
seemed to me to have some animation.
But a moth flitted round the room,
causing my arrested glance to shift;
and if at any time a ghost had lived here,
he now was gone, abandoning this house.

Jan 20, 2011

Mark Strand, Poet Laureate, 1990-1991

Lines for Winter           for Ros Krauss

Tell yourself
as it gets cold and gray falls from the air
that you will go on
walking, hearing
the same tune no matter where
you find yourself—
inside the dome of dark
or under the cracking white
of the moon's gaze in a valley of snow.
Tonight as it gets cold
tell yourself
what you know which is nothing
but the tune your bones play
as you keep going. And you will be able
for once to lie down under the small fire
of winter stars.
And if it happens that you cannot
go on or turn back
and you find yourself
where you will be at the end,
tell yourself
in that final flowing of cold through your limbs
that you love what you are.

Jan 15, 2011

My elderly friend of 8 years died yesterday.  She was a crusty, old smoker and drinker, but also a lady of the first water, with faultless taste. I met her when I moved here to be with my new husband, and she was always at Thanksgiving dinner and often at other gatherings, one or two at our house.  I didn’t know her well.  Most of what I did know was rumor or complaint from exhausted friends, but she welcomed me to town and into her life and spoke forthrightly to me always. I didn’t see her this past Thanksgiving. She was wearing out and had confessed to my sister-in-law that she was ready to go. I think I saw her maybe twice in the past couple of years, but she was a presence that I now will miss.  Our last Thanksgiving together was one of those holidays during which lines of beauty and loss converge.  She and I were sitting at the table alone together after dinner, and she told me this staggering story:

She was a little girl, and she and her mother were driving to town one day.  They saw some smoke over the crest of the hill, so her mother said they’d better check to see if everything was okay.  As they topped the hill they saw that a neighbor of theirs had crashed her car by accident. She had been on her way to town with her load of hen’s eggs on the seat to sell at market.  My friend’s mother hurried to the misshapen, metal heap and pulled the driver from the wreck, carried her to their car, and laid her on the back seat.  They drove quickly to town and the neighbor was soon all right.  My friend said that for the rest of the drive she knelt on the front seat looking at the woman lying there, and that her most vivid memory was one of egg yolk and blood!

Good-bye, my Friend.  I will remember you with an affectionate smile always.

Jan 12, 2011

Go forth to the forests and the shady streets...

Dale McEntire, Spring Garden Alpha

Howard Nemerov, Poet Laureate, 1988-1990

Learning the Trees

Before you can learn the trees, you have to learn   
The language of the trees. That’s done indoors,   
Out of a book, which now you think of it   
Is one of the transformations of a tree.

The words themselves are a delight to learn,   
You might be in a foreign land of terms
Like samara, capsule, drupe, legume and pome,   
Where bark is papery, plated, warty or smooth.

But best of all are the words that shape the leaves—
Orbicular, cordate, cleft and reniform—
And their venation—palmate and parallel—
And tips—acute, truncate, auriculate.

Sufficiently provided, you may now
Go forth to the forests and the shady streets   
To see how the chaos of experience
Answers to catalogue and category.

Confusedly. The leaves of a single tree
May differ among themselves more than they do   
From other species, so you have to find,
All blandly says the book, “an average leaf.”

Example, the catalpa in the book
Sprays out its leaves in whorls of three   
Around the stem; the one in front of you   
But rarely does, or somewhat, or almost;

Maybe it’s not catalpa? Dreadful doubt.   
It may be weeks before you see an elm   
Fanlike in form, a spruce that pyramids,   
A sweetgum spiring up in steeple shape.

Still, pedetemtim as Lucretius says,
Little by little, you do start to learn;
And learn as well, maybe, what language does   
And how it does it, cutting across the world

Not always at the joints, competing with   
Experience while cooperating with   
Experience, and keeping an obstinate   
Intransigence, uncanny, of its own.

Think finally about the secret will   
Pretending obedience to Nature, but   
Invidiously distinguishing everywhere,   
Dividing up the world to conquer it,

And think also how funny knowledge is:   
You may succeed in learning many trees   
And calling off their names as you go by,
But their comprehensive silence stays the same.

Jan 5, 2011

Richard Wilbur, Poet Laureate, 1987-1988 [Oh, those poor, put-upon white boys!]


Boy at the Window

Seeing the snowman standing all alone
In dusk and cold is more than he can bear.
The small boy weeps to hear the wind prepare
A night of gnashings and enormous moan.
His tearful sight can hardly reach to where
The pale-faced figure with bitumen eyes
Returns him such a God-forsaken stare
As outcast Adam gave to paradise.

The man of snow is, nonetheless, content,
Having no wish to go inside and die.
Still, he is moved to see the youngster cry.
Though frozen water is his element,
He melts enough to drop from one soft eye
A trickle of the purest rain, a tear
For the child at the bright pane surrounded by
Such warmth, such light, such love, and so much fear.

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