Feb 28, 2011
Billy Collins, Poet Laureate, 2001-2003
Silence
There is the sudden silence of the crowdabove a player not moving on the field,
and the silence of the orchid.
The silence of the falling vase
before it strikes the floor,
the silence of the belt when it is not striking the child.
The stillness of the cup and the water in it,
the silence of the moon
and the quiet of the day far from the roar of the sun.
The silence when I hold you to my chest,
the silence of the window above us,
and the silence when you rise and turn away.
And there is the silence of this morning
which I have broken with my pen,
a silence that had piled up all night
like snow falling in the darkness of the house—
the silence before I wrote a word
and the poorer silence now.
Feb 23, 2011
KINGDOM OF EXILES by Gary Lemons
A man stands on the corner
Of a busy street asking people around
Him for help. His hand is out.
A small dog curls on an old army
Coat at his feet. It’s his coat. Each
Of the faded medals acquired in exchange
For the rest of his life. The man is, what,
Hardly visible. The dog adores him.
There is a force between the man,
The dog and me. The shadow on us all.
It’s an understanding about separation.
About night and day. It’s two straddling
One. If anyone looks they remember
The man and the dog or they remember
Me. No one remembers all of us. Only
The bird flying. Not the sky.
The money in your pocket is mine.
The joy or sorrow in my heart is yours.
The muscle, the meat, the sloping
Line of that hill, the cold fog rising
From the wreckage of love. Ours.
I want to put my heart in his hand.
Instead I collect shadows, bring them
Home and drink what’s left of them.
When I die I’ll be the thing in your mirror.
This is the photo that Kevin Carter, a South African war photographer, was famed for. The picture won a Pulitzer Prize. It depicts a dying Rwandan child with a vulture waiting in the background. The irony of fame coming from such a source later drove Carter to suicide.KEVIN CARTER
HI TIME MAGAZINE HI PULITZER PRIZE
TRIBAL SCARS IN TECHNICOLOR
BANG BANG CLUB AK 47 HOUR
TRIBAL SCARS IN TECHNICOLOR
BANG BANG CLUB AK 47 HOUR
KEVIN CARTER
HI TIME MAGAZINE HI PULITZER PRIZE
VULTURE STALKED WHITE PIPED LIE FOREVER
WASTED YOUR LIFE IN BLACK AND WHITE
VULTURE STALKED WHITE PIPED LIE FOREVER
WASTED YOUR LIFE IN BLACK AND WHITE
KEVIN CARTER X3
THE ELEPHANT IS SO UGLY HE SLEEPS HIS HEAD
MACHETES HIS BED KEVIN CARTER KAFFIR LOVER FOREVER
CLICK CLICK CLICK CLICK CLICK
CLICK HIMSELF UNDER
MACHETES HIS BED KEVIN CARTER KAFFIR LOVER FOREVER
CLICK CLICK CLICK CLICK CLICK
CLICK HIMSELF UNDER
KEVIN CARTER X3
Music by James Dean Bradfield, Sean Moore and Nicky Wire
Lyrics by Richey James
Lyrics by Richey James
Feb 21, 2011
Stanley Kunitz, Poet Laureate, 2000-2001
An Old Cracked Tune
My name is Solomon Levi,
the desert is my home,
my mother's breast was thorny,
and father I had none.
The sands whispered, Be separate,
the stones taught me, Be hard.
I dance, for the joy of surviving,
on the edge of the road.
Feb 15, 2011
...stealing home...
Robert Pinsky, Poet Laureate, 1997-2000
To Television
Not a "window on the world"
But as we call you,
A box a tube
Terrarium of dreams and wonders.
Coffer of shades, ordained
Cotillion of phosphors
Or liquid crystal
Homey miracle, tub
Of acquiescence, vein of defiance.
Your patron in the pantheon would be Hermes
Raster dance,
Quick one, little thief, escort
Of the dying and comfort of the sick,
In a blue glow my father and little sister sat
Snuggled in one chair watching you
Their wife and mother was sick in the head
I scorned you and them as I scorned so much
Now I like you best in a hotel room,
Maybe minutes
Before I have to face an audience: behind
The doors of the armoire, box
Within a box--Tom & Jerry, or also brilliant
And reassuring, Oprah Winfrey.
Thank you, for I watched, I watched
Sid Caesar speaking French and Japanese not
Through knowledge but imagination,
His quickness, and Thank You, I watched live
Jackie Robinson stealing
Home, the image--O strung shell--enduring
Fleeter than light like these words we
Remember in, they too winged
At the helmet and ankles.
Feb 7, 2011
Feb 3, 2011
Robert Hass, Poet Laureate, 1995-1997
The Yellow Bicycle
The woman I love is greedy,
but she refuses greed.
She walks so straightly.
When I ask her what she wants,
she says, “A yellow bicycle.”
Sun, sunflower,
coltsfoot on the roadside,
a goldfinch, the sign
that says Yield, her hair,
cat’s eyes, his hunger
and a yellow bicycle.
Once, when they had made love in the middle of the night and it was very sweet, they decided they were hungry, so they got up, got dressed, and drove downtown to an all-night donut shop. Chicano kids lounged outside, a few drunks, and one black man selling dope. Just at the entrance there was an old woman in a thin floral print dress. She was barefoot. Her face was covered with sores and dry peeling skin. The sores looked like raisins and her skin was the dry yellow of a parchment lampshade ravaged by light and tossed away. They thought she must have been hungry and, coming out again with a white paper bag full of hot rolls, they stopped to offer her one. She looked at them out of her small eyes, bewildered, and shook her head for a little while, and said, very kindly, “No.”
Her song to the yellow bicycle:
The boats on the bay
have nothing on you,
my swan, my sleek one!
Feb 1, 2011
Makinti Napanangka (ca 1930 - 2011)
Makinti was one of the most exciting contemporary Aboriginal artists painting. Amongst the oldest of Pintupi women painters, Makinti was often compared to Emily Kngwarreye. The reason why such comparisons get made is Makinti’s confident, yet loose “old woman” style of painting, the beautiful light effects she achieves, and the bold lyricism of her brush strokes. In the January 2003 issue of Australian Art Collector she was named as among the top fifty of Australia's Most Collectable Artists.
This painting depicts designs associated with the rockhole site of Lupulnga, south of the present day Kintore community, home to many important Pintupi artists. The Peewee (a small bird) Dreaming is associated with this site. In the Dreamtime a "mob" of ancestral women visited this site before continuing their travels north to Kintore.
The lines in this painting represent spun hair string, used in the manufacture of hair string belts, worn during the women's ceremonies associated with this place. Hair string belts are often used symbolically to represent the act of women dancing. The belts, worn above the hips have dangling strings often with feathers attached which swing about as the women dance highlighting their attractiveness.
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